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Some horns will take advantage of the situation and quickly play some notes from Ride of the Valkyries. Some silence. Oboe gives A to the string section.

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Conductor takes his place on the podium and begins rehearsal. Some violins in the back stands will roll their eyes at the bowings decided upon by the first chair. The lower brass will be busy keeping track of a sporting event or sharing funny, obscene videos while they wait for their part at the end of the piece.

The percussion section remains oblivious to it all. The same will happen at the end, when as soon as the clock strikes , most musicians will have left the rehearsal room. The orchestra will talk about how lacking this conductor is in comparison to the previous one, and the conductor will feel this orchestra is amateurish compared to the one he conducted prior to this engagement.

Work will continue in a similar fashion for a week or 2 and end in a successful concert, but no one in the orchestra will actually care too much. Musicians arrive, put their cases on a chair, and chit chat. Some will drink coffee, some will have a cigarette. Everyone unpacks. They begin rehearsing the first tune at around Another coffee. Everyone agrees. Another break. Gig is day after tomorrow. They congratulate each other on a great show and have a few drinks.

Musicians arrive more or less on the dot. Everyone else is already there and working. The musical director looks slightly confused. Musical director from now on MD will tell musicians where their spot on the stage is. Musicians take their places and wait for further instruction. Stage director will ask the assistant why the musicians are sitting there. Musicians will be asked to stand up and wait while the new seating arrangement is sorted. Meanwhile the actors are rehearsing a scene. Musicians are re-located to original set up.

From the top. Scene begins again. Director says something to the MD. The music is too long, can the musicians please just loop the first 2 bars of their scores for 30 seconds, thank you. Begin to play next piece. Light technician has to come and make some adjustments.

9. Record Everything

In the meantime, would it be possible to do the one where the main character sings. Actor comes and begins to sing his part. A fluid, unconnected and sometimes chaotic procession of scenes detailing the various people and events of life in Italy's capital, most of it based on director Federico Fellini's life.

During a day in their honeymoon, a couple is separated by the city's lust and the desires it produces. A beautiful but ambitious young woman joins a traveling troupe of third-rate vaudevillians and inadvertently causes jealousy and emotional crises. In a Medieval Roman chapel, now an oratorio, an elderly factotum sets up for rehearsal. The musicians arrive, joking and teasing. A union shop steward explains that a TV crew is there, talking to them is optional, and there will be no extra compensation. Musicians talk about their instruments.

The German conductor arrives and puts them through their paces. He yells, he insults. The shop steward calls a 20 minute break. The conductor retreats to his dressing room and talks about how the world of music has changed, moving away from respect for the conductor.

The orchestra fine-tuning the performance of school students

He returns to the rehearsal to find the orchestra in full revolt. What can bring them back to the music? This Fellini's movie opens in a white, half-empty room. A kind, old man guides us through the history and the current purpose of the oratory until the musicians arrive. He's nostalgic of the old days of which he often speaks, comparing them to the present decay. The relationship between present and past in music is also evoked by the orchestra leader. The past is always represented as the ideal period opposed to the time infected by media.

The television is there to film the orchestra rehearsals: musicians are asked to talk about themselves: it's beautiful how each one of them remembers their encounter with music and the instrument they're playing. The characters are all unique: they have different stories to tell but they share the same passion. Everyone wants to impose the importance of its own instrument without realizing that magic is accomplished with the presence of every single one together.

The orchestra leader complains about the public who, in his opinion, is unable to understand music, or art in general. Like T. Eliot's line "the women come and go talking of Michelangelo", the orchestra leader expresses his dissatisfaction with the public. The second half of the movie is an act of rebellion where the musicians refuse the orchestra leader's role.

The seizure of power doesn't last very long: they end up destroying and ruining the oratory. The orchestra leader takes control of the situation and when everything seems to be back to its own harmony, the sound of disappointment echoes in the dust of the room.

Playing with Promise

The music of the movie is sublime, composed by the incomparable Nino Rota. The acting is simple but pure and it perfectly reaches Fellini's intent. Explore popular and recently added TV series available to stream now with Prime Video. Start your free trial. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet! IMDb More. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs.

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Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. An orchestra assmbles for a rehearsal in an ancient chapel under the inquisive eyes of a TV documentary crew, but an uprising breaks out. Director: Federico Fellini. Added to Watchlist Add to Watchlist. The Best Films Ever Made - Fellini - a giant of Italian cinema. Federico Fellini: Watchlist. Federico Fellini. Share this Rating Title: Orchestra Rehearsal 7. Use the HTML below.

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